THE DOVE SOCIETY 
Hear the Roses presents a series of music-focused features. The podcast about passion, perseverance and the pursuit of dreams, includes an in-depth conversation with Grammy Award-winning music producer Shafiq Husayn (SA-RA Creative Partners) and his The Dove Society label mates, who open up about their creative process, working with Anderson .Paak and “being a vessel.”
Listen: https://soundcloud.com/heartheroses/the-dove-society

ASYA SHEIN 
The music edition features an intimate interview with Asya Shein, founder and curator for FUSICOLOGY, a Hub for Progressive Culture and Lifestyle events that has worked with artists including Anderson .Paak, Aloe Blacc and Robert Glasper.
Listen https://soundcloud.com/heartheroses/fusicology-asya-shein

BILLY JOHNSON JR. 
The music edition includes an in-depth conversation with veteran music journalist Billy Johnson Jr., a former senior editor for Yahoo! Music, who has interviewed musical icons such as Beyoncé and Janet Jackson.
Listen https://soundcloud.com/heartheroses/musicjournalistbillyjohnsonjr

The post Hear the Roses: Music Edition appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

THE MUSEUM OF LIGHT: Just as an alchemist transforms led into gold, do you feel that being an artist relates to that of being an alchemist? Do you view the artist journey and your creative expression, as alchemy?

JAMEL SHABAZZ: As a practitioner of the craft of photography, it affords me the ability to transform a chemically based roll of unexposed film that has been placed in a camera, measuring light and adjusting speed towards a particular subject, conceptualizing and composing by the third eye through a glass lens, before applying pressure on the camera shutter release button, freezing a moment in time, thus preserving history. So yes, I would say that there is a direct correlation between being an artist and an alchemist. Any creative artist, whether they are a painter, musician, sculptor or photographer, who uses their innate ability to create something from nothing, is in fact dealing with the science of Alchemy. The various schools of artistry all use science in their creative process and it may consist of the mixing of chemicals, arranging sound, or creating shapes, but when these practices are applied, the results are magical manifestations of a high form of alchemy.

THE MUSEUM OF LIGHT: Artists are often labeled as “stars.” Just as a star radiates light and the planets then reflect this light, do you see your work as an artist like that of a star? Is this “light” that stars radiate merely the evidence of this journey of becoming a star/learning to radiate light?

JAMEL SHABAZZ: As a young man coming of age, I was told by a very wise man that I was the equivalent to the sun which was a giant star in the center of the universe, and that through studying the nature of the sun along with the solar system, I would better understand my purpose in life. It was that wisdom that placed me on the path of enlightenment and provided me with light, guidance and purpose. Like the sun, I would learn that my primary purpose in this universe was to use my kinetic energy to stimulate life and matter through my creative process in hopes that I would create other forms of light and energy in a world that was slowly becoming cold and gloomy.

THE MUSEUM OF LIGHT: When an artist is not “creating” it is often labeled a “creative block.” How do you navigate this space, how do you find the creative spark in the dark, and does it require courage to create from this unknown space? Describe this process.

JAMEL SHABAZZ: With all honesty, I have never been confronted with a “creative block.” My creative energy is in constant motion and the light that guides me seems to always be illuminated. During the course of my many expeditions, I have accumulated such an abundance of photographs, negatives, and other forms of research, that are readily available to me. This keeps me in a constant creative mode to the point that I no longer travel outside my space to take images like I once did. At this stage in my journey, it took courage for me to realize that I needed to reevaluate my assignment in life, and I have been blessed to create a space where I can meditate, reflect and process what I have been blessed to document. In this undertaking, I continue to seek ways to share what I have with the universe and young visionaries who are fresh on the path of self-discovery.

You can also find this story at THE MUSEUM OF LIGHT and on FUSICOLOGY.

Photo Credit: Jamel Shabazz

www.jamelshabazz.com

The Museum of Light is curated by: Billy Johnson Jr., Adell Henderson, Joslyn Rose Lyons, Rafael Casal, Matt Smith, Malik Buie.

 

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The post CONVERSATIONS IN LIGHT: JAMEL SHABAZZ, THE LIGHT THAT GUIDES ME appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

For Immediate Release

Time is Illmatic director talks working on Nas documentary, plus upcoming projects

One9 opens up about the 10 year road to completing Time is Illmatic and offers insight on his current ventures in film and television, directing a project on police violence that airs on PBS in February and a new project for Academy Award-winning director John Singleton called “LA Burning” that will air on A&E Network in April 2017.

HEAR THE ROSES will also be available on partner sites The Museum of Light, Fusicology, and RESPECT. Magazine.
Soundcloud.com/heartheroses

The post ‘Hear the Roses’ Podcast Launches With Interview With Award-Winning Director, One9 appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

THE MUSEUM OF LIGHT: Just as an alchemist transforms led into gold, do you feel that being an artist relates to that of being an alchemist? Do you view the artist journey and your creative expression, as alchemy?

ROBERT GLASPER: I feel like the transforming of something into another thing as far as the alchemist goes in music is basically understanding all of the elements of the genre that I’m in. Once you understand the element, you’ve got to study the element, and you actually can authentically replicate that element, then, at that you point, you know the ins and outs of it, and you can change it. I feel like that’s what my band does. We’ve all studied and we know the history of the music and all these different things and we know sonically what makes one thing sound different from another thing. So that allows us to have the tools to be able to go from one thing to another and change things. And even have the tools to try to do something that is different that we haven’t really heard as far as we know. A lot of that really comes from studying all types of things. Some people know genres from a far when they hear it and never really played it or lived it. So it’s very important to be in it and then that really helps.

THE MUSEUM OF LIGHT: Artists are often labeled as “stars.” Just as a star radiates light and the planets then reflect this light, do you see your work as an artist like that of a star? Is this “light” that stars radiate merely the evidence of this journey of becoming a star/learning to radiate light?

ROBERT GLASPER: I see my work as a light to people. I feel that because I’ve been able to read feedback from people from social media, talked to people at shows, I get a lot of insight on what my music does for them. And even for some music, my intention wasn’t for a certain feeling, but for somebody else it resonated a certain way. I was like, ‘Wow. I didn’t have that in mind when I wrote this song.’ For them it’s like something else. It’s great. You never know what your music is gonna do for people. It’s very good to be open and honest about your music because people are going to interpret it different ways anyway. So being a cookie cutter and doing what somebody else does, for what? They’re going to have their feeling about what it makes them feel like. People can feel when something is pretentious. They feel it when it’s not honest. I try to always be honest because that’s what’s gotten me this far. People telling me how my music has changed their life or changed a situation. It let’s me know that was a light for them. I think that’s great and what motivates me.

THE MUSEUM OF LIGHT: When an artist is not “creating” it is often labeled a “creative block.” How do you navigate this space, how do you find the creative spark in the dark, and does it require courage to create from this unknown space? Describe this process.

ROBERT GLASPER: What’s helping me create and find that spark? It’s funny a lot of people when they create, musicians, we tend to say, All right tomorrow at 2 o’clock, I’m going to sit down and write a song. Like they got the universe on lock. Like at 2 o’clock that’s when the Gods are going to give me this beam and the song is gonna be written and this amazing thing. I don’t do that. Pretty much since I started playing, recording music, I’ve always had voice notes on my phone because I get inspired by so many things in my life: riding a train, walking down the street, in the bathroom. Like a song might play in the bathroom while I’m taking a piss and it inspires another thought. And as musicians, thoughts come and go really fast. So we let go of more than we keep, just naturally. So I try to record as much as I can to keep as much as I can. Immediately I pick up my phone and I sing whatever idea it was in my phone. And that’s how I recorded 95 percent of my music by doing that because I get inspired when I’m not in front of the piano. Seeing the piano doesn’t inspire me. Life inspires me. So whereever that might be, I always carry my phone so I can try to capture that moment. Then, I’ll work on it later. Flesh it out and make it something. But that’s what I’m inspired by: life. It could be anything. Any person, any song, a bird. The other day I saw this hummingbird flying around the tree. Somebody had a little hummingbird feeder with sap in it and boom. It inspired me somehow. I took out my phone and sung a melody. I might not use it for six months, but when it’s time, I’ll go back and listen and will be like, Oh, I can use that as a tag for that song or ending or bridge or anything. I just try to record all my ideas.

THE MUSEUM OF LIGHT: If you want to know what alchemy sounds like, listen to Robert Glasper Experiment’s work. His new album, ArtScience, out today, is transformation at its finest. It’s among pop music’s most eclectic merging of genres, incorporating jazz, R&B, Hip Hop, drum and bass, and more.

In addition to addressing the fusion of Art and Science in the album title, Robert also expounds on it on the album’s opening track, “This Is Not Fear.”  As the production moves from battling, frantic saxophone and piano solos, the music calms to allow Robert to speak. He says, “The reality is my people have given the world so many styles of music, so many different styles. So why should I just confine myself to one. We want to explore them all.”

As Robert’s voice fades, the music shifts again and so on. He follows this course for the duration of the album, refusing to limit himself creatively. It’s the way alchemists transform lead into gold.

Photo Credit: Mathieu Bitton

The Museum of Light is curated by: 

Billy Johnson Jr., Adell Henderson, Joslyn Rose Lyons, Rafael Casal, Matt Smith, Malik Buie.

Fore more on The Museum of Light visit:

http://themuseumoflight.com
https://instagram.com/museumoflight/
Tweets by museumoflight

The post Conversations in Light: Robert Glasper – This Is What Alchemy Sounds Like appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

Photo Credit: Andy Lee

THE MUSEUM OF LIGHT:  Just as an alchemist transforms led into gold, is there an element  of transformation in your creative expression? How does this process for you, connect to that of an alchemists?

MAURICE GARLAND: Most definitely. As a writer and music journalist, I look at my work as using words to paint pictures which I consider a valuable skill and talent seeing as how so much of our communication nowadays is visual-driven. When I write I am relying on history and the present moment to tell a story that someone in the future will hopefully read, enjoy and even reference. Also, often times, I interview artists and other creatives who may not be as open or well-spoken as the next person, so I have to find ways to not only get them out of their comfort zone and share, but later combine my words with theirs to create a compelling, truthful story

Photo Credit: Anthony “Truth” Gary

THE MUSEUM OF LIGHT:  Artists are often labeled as “stars.” Just as a star radiates light and the planets then reflect this light. Do you see your work behind the pen or behind the lens, as a reflection of this light?

MAURICE GARLAND: I do. When I interview and write about “stars” I like to create stories that inspire readers to become “stars” themselves or at least absorb some of that star energy that they give off. Rick Ross personally contacted me and told me the cover story that I wrote on him for The Source (Decemeber 2015) was one of the best if not the best stories he’s even read written about him. I’ve written bios for Big Boi and Kendrick Lamar, so in those cases I have to capture what they are about and use my words to present them to the world they way they want to be seen. Every star begins as a particle and winds up becoming a star. That said, much of the work I have done has revolved around getting people to recognize stars in the making. I was the first person to interview or write nationally published articles on people like Janelle Monae and B.o.B. Killer Mike is all over the place now, but for years it felt like I was the only person interested in interviewing him. So yes, I do see my work as a reflection of their light.

Photo Credit: Wesley Persons

THE MUSEUM OF LIGHT:  When an artist is not “creating” it is often labeled a “creative block.” Where do you find the creative spark? What inspires your work and does it require a sense of courage to create from this unknown space?

MAURICE GARLAND:  What some call a “block” I like to look at as a time to rest. When I am not inspired to create, I rest. I sit still and enjoy those moments where my mind and spirit are simply being rather than doing. Fortunately, I rarely have to go find inspiration or a creative spark. During those “block” times ideas usually come to me because I am being still and allowing the universe to bring them to me rather than running and moving and looking. I have found when you move around too much looking for something, you miss what was there waiting for you to claim all along.

The Museum of Light is curated by: 
Billy Johnson Jr., Joslyn Rose Lyons, Adell Henderson, Rafael Casal, Matt Smith, Malik Buie.

For more info on The Light visit:

http://www.themuseumoflight.com/
https://instagram.com/museumoflight/
https://twitter.com/museumoflight

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The post REFLECTIONS IN LIGHT Interview: MAURICE GARLAND appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

THE MUSEUM OF LIGHT: Artists as Alchemists: Just as an alchemist transforms led into gold, do you feel that being an artist relates to that of being an alchemist? Do you view the artist journey and your creative expression, as alchemy?

R. CITY:  We came from nothing and made something. Our mission and goal is for our music to inspire people to do great things. Our inspiration was our father and his belief in us. Other artists we looked up to impacted our life and everything they did to change their communities and hip hop is a huge part of us wanting to change our life. We want our music to be the catalyst to change and motivate people to go and get it.

The Museum of Light: The Evidence of the Journey: Artists are often labeled as “stars.” Just as a star radiates light and the planets then reflect this light, do you see your work as an artist like that of a star? Is this “light” that stars radiate merely the evidence of this journey of becoming a star/learning to radiate light?

R. CITY: The longer and harder the journey the longer the star shines. A Shooting stars light burns out. The journey is important for the light and dictates how long and brilliant that star will be. The stars that are born shine the brightest but the stars that are created don’t last. Our journey has prepared us for everything that stardom brings with it. Nothing you throw at me will knock me down.

The Museum of Light: The Courage to Create: When an artist is not “creating” it is often labeled a “creative block.” How do you navigate this space, how do you find the creative spark in the dark, and does it require courage to create from this unknown space? Describe this process.

R. CITY: You have to step away from it for a minute. Usually the creative block is from other personal issues because I had other things sitting on my conscious. I had to start having fun again. I needed something to make me laugh; to make me smile. I needed inspiration from life. I get inspiration from life. Courage comes from fear. Fear of failure creates internal motivation, I have to motivate myself to keep going back to the past. Courage comes from not wanting to go back. Anyone who has ever had doubts Trying to make the impossible possible. Pulling from people that have been proof of that.

For more info on The Museum of Light visit:
www.themuseumoflight.com
www.instagram.com/museumoflight
www.twitter.com/museumoflight

The post CONVERSATIONS IN LIGHT WITH R. CITY appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

THE MUSEUM OF LIGHT: Artists as Alchemists: Just as an alchemist transforms led into gold, do you feel that being an artist relates to that of being an alchemist? Do you view the artist journey and your creative expression, as alchemy?

DAN CORSON:  Historically, the study of alchemy was not just about purifying “base materials” into “noble” ones (e.g.: lead into gold), but it was equally focused on the transformation of the soul from “lowly” survival-based life into the state of “gnosis” or an “enlightened being” complete with immortality. Now I know that I am not personally immortal, but through my artwork, I do transform elements into new and surprising objects and experiences; some that will extend well beyond my life. It is that special “ah ha” moment or transformation in experience that I strive to infuse into all my artwork. So in once sense, that striving to evolve and challenge myself through my artwork embodies the spirit of alchemical transformation.

THE MUSEUM OF LIGHT: The Evidence of the Journey: Artists are often labeled as “stars.” Just as a star radiates light and the planets then reflect this light, do you see your work as an artist like that of a star? Is this “light” that stars radiate merely the evidence of this journey of becoming a star/learning to radiate light?

DAN CORSON:  It is all about communication: the transference of knowledge, information, perspective. I see this “radiating light” not as the artwork, or the artist, but as the experience of communicating that unique message that the artist may want to express without words (or between the words) to another. The light is that evidence or vehicle for that communication.

THE MUSEUM OF LIGHT: The Courage to Create: When an artist is not “creating” it is often labeled a “creative block.” How do you navigate this space, how do you find the creative spark in the dark, and does it require courage to create from this unknown space? Describe this process.

DAN CORSON:  My unblocking process starts with “knowing your craft,” then I need to “state the question clearly” in my head and finally “ignore the problem” while actively working on something else. I find that if something does not take a lot of direct concentration (like taking a long road trip) it will engage the practical side of my brain to drive, and then will inspire my creative side of my brain to dream, gestate, invert and resolve the problem.

For more info on The Museum of Light visit:

http://www.themuseumoflight.com/
https://instagram.com/museumoflight/
https://twitter.com/museumoflight

The post CONVERSATIONS IN LIGHT WITH DAN CORSON appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.