By: Respekk

 

The post Respekk Releases “Self Preservation” Visual appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

As an exchange for the artwork on Wolf, Tyler agreed to participate in Mark Rydens latest art project. The song is a cover of the 1892 record “Daisy Bell” and artists such as Tyler and Katy Perry have recorded their own versions. The songs are for Rydens’ “Gay Nineties” exhibit, which is currently running at the Kohn Gallery in Los Angeles. Listen to the track below.

The post New Music: Tyler, the Creator – “Daisy Bell (Bicycle Built for Two)” appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

8. “WHOA” – Earl Sweatshirt (Directed by: Wolf Haley)

Just like the song it visualizes, this video really embodies the “traditional” Odd Future aesthetic. There’s skateboarding, pranks, cameos from several members of the Odd Future crew and all-around weirdness. The beauty of the video is that these familiar, chaotic elements are presented in perfect harmony. That isn’t an easy task.

7. “NY (Ned Flander)” – Hodgy Beats & Tyler, The Creator (Directed by: Wolf Haley)

The visuals for “NY (Ned Flander)” are the sequel to the “Rella” video. In this one, Hodgy is bald, mustachioed, overweight, and taking pills while watching large women strip on TV. This dysfunctional atmosphere is amplified by the fact that Tyler is his baby and grandpa is a predator. What’s interesting about the video is that despite its clear elements of hyperbole and camp, somehow it’s still incredibly serious.

6. ‘Trouble On My Mind’ –  Pusha T ft. Tyler, The Creator (Directed by: Decon’s Jason Goldwatch )

“Trouble on My Mind” is a cross-generational collab between Pusha T and Tyler that connects them through their shared respect for The Neptunes, who actually produced the song. This is the only video on the list that was not directed by Tyler, but it belongs here nonetheless because Tyler‘s visual flair is sublimated throughout, especially when Pusha-T comically dresses up as Tyler, crutches and all. In other words, though Pusha and Tyler are neck-and-neck on the actual song, Tyler owns this video.

5. “IFHY” – Tyler, The Creator (Directed by: Wolf Haley)

The Pharrell-assisted “IFHY/Jamba” is Tyler’s twisted version of a love song (the title stands for “I Fucking Hate You.”) The video has Tyler costumed as a life-sized doll living with his supposed true love, who is also a doll. The video centers around how they fail to live blissfully despite residing in the proverbial dollhouse. Their romance is so deformed, in fact, that even their faces, which should be perfect, are also deformed. This may all sound cynical, but Tyler seems to be speaking from an actual experience of love, so it’s actually very insightful. And the transition between “IFHY” and “Jamba” is so seamless that without the beat change, it might be unnoticeable.

4. “VCR” – Tyler, The Creator (Directed by: Wolf Haley)

“VCR” is a dark video that craftily uses suggestive imagery to represent the song’s dark content. It’s actually quite a surprise to see this video after hearing the song. Whereas the song is pure shock, horror after horror, the video is perverse, not showing anything, but hinting at everything. Tyler probably has a nice internal knowledge of horror movies and thrillers.

The post Tyler, The Creator’s Best Videos appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

On the album opener, “Goon’N,” between the opening and closing verses, Domo confesses, “Hell yeah, nigga. This shit amazing, I can’t believe it. It’s like unbelievably amazing.” He eventually begins bragging (of course), but his surprised response to his own music has an important implication, one that’s sublimated throughout the album: they recorded MellowHigh with nearly no expectations. The fact that the result of their no-stakes effort is actually good marks an interesting shift in Odd Future’s collective development. They’ve always made music organically, without any set expectations, but the polish of MellowHigh couldn’t have happened back in 2011. Somehow that lack of expectations would have manifested in a throwaway line or two, or a lame gag. Here in 2013, they’ve grown so much that they can utilize their spontaneity without becoming victims of it or having to “summon it” through force. Otherwise put, they can stage dive without risking injury or doing it out of “obligation.” They’ve reached a state of pure confidence, one that’s so subconscious Domo is surprised at how good they are, as if he’s forgotten.

Beyond Domo‘s surprise, this confidence is most apparent in Left Brain‘s choice of beats. He’s always pushed the limits of anyone rapping over his instrumentals, but here he ups the ante. Songs like “Nobody” and the aptly named album apex “High Life” are characterized by truly sinister synths. On the former, Left Brain makes the synths wail like agitated birds, smothering them with boulder-sized heapings of snares and bass as he subtly pitches them up and down and back again. The effect is tortuous, but in the best way imaginable. “High Life” is even more riveting, featuring subdued synths that flutter alongside frenetic drums, concentrated bass and repeated boasts from Domo and Smoke DZA. Left Brain even manages to incorporate Curren$y‘s unintelligible mutterings into the instrumental.

Even with all these manifestations of confidence, confidence alone is never enough. Bolstering Left Brain’s confidence to push against the grain is skill. On MellowHigh Hodgy and Domo are particularly focused, especially for an Odd Future project. Of the myriad laughs and jokes that likely occurred during the recording process, only a few made it to the album, mostly concentrated on the album closer “Cigarillo.” To clarify, this focus isn’t humorlessness. Hodgy is as crafty as ever: “Fuck a pig, bitch! Word to my Muslim pops.” And Domo shouts out Chief Keef at the end of his verse on “Self Titled.” Resident clown Jasper even makes a brief cameo on “Goon’N.” In other words, rather than something that they actively avoided, humor is simply something that they largely just weren’t going for, so they stuck to keeping it at arm’s length.

In the end, what MellowHigh was going for – a solid demonstration of their ability to make interesting music – was definitely accomplished. One of the dangers of constantly producing music with the same people is staleness. After 4 years of frequent in-house collaborations, one would expect Odd Future to have collectively either plateaued at best or decomposed in a blaze of incestuous banality at worst, but they continue to crank out solid projects. Following Wolf, Doris and Feel Good, MellowHigh is further proof that Odd Future’s family-first approach is facilitating, not inhibiting. Skill certainly plays a decisive role in MellowHigh‘s success – after all, there are plenty of music crews that only work with each other and still produce duds because they lack the talent- but the confidence to push each other, to not take that skill for granted, is something that is unique to Odd Future. Hopefully things will remain that way for years to come.

The post Album Review: MellowHigh – MellowHigh appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

Tyler brings us yet another colorful, provocative, bombastic video. This time it’s for his Wolf cut, “Tamale.” The video features Tyler bouncing on a booty trampoline, riding a cat, and being just a tad under-dressed for the golf course, among other things. While the video is entertaining, it takes a somber turn when it cuts into the Odd Future capo on the couch rapping a poignant verse from his song “Answer.” Check it out below.

There’s also a part of the video that was censored. Any speculations on what it might have been? As the video points out, it’s hard to imagine something more “offensive” than a booty trampoline or even just the lyrics themselves.

The post New Video: Tyler, The Creator – “Tamale” appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

The year of the wolf is far from over. Tyler, the Creator recently released the trailer for his upcoming short film, Wolf, a companion of sorts to his album of the same name, which was released earlier this year. The film seems to be exploring the same themes of the album – internal conflicts – and Tyler is a mirror image of his album cover, but a trailer can only tell you so much. Watch below and pay attention to the editing. The bike gets thrown at one point and then it’s suddenly back in the street. That’s pretty unusual for an Odd Future video.

The post Video: Preview of Tyler, the Creator’s Short Film, WOLF appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

Tyler, the Creator recently released a video where he talks about his music and gives us a list of his influences and inspiration track by track. It’s amazing how many of his influences aren’t rappers. It’s actually kind of refreshing. Thus Tyler’s quote below makes even more sense:

When people who take hip-hop the genre as a whole, like so serious, when they tell me that they fuck with me like just based off the music that I make or my opinion on stuff, when they tell me that they fuck with me I really appreciate it.

For hardcore hip-hop heads to praise a guy who is clearly in their world, but not of it,  truly is a big deal. Listen below.

Hopefully his Rock the Bells performance goes well.

The post Tyler, the Creator: Talks About <em>Wolf</em> ‘s Various Influences appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.