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		<title>Vintage Kanye West: Pre-College Dropout (1996-2000)</title>
		<link>https://respect-mag.com/2015/02/vintage-kanye-west-pre-college-dropout-1996-2000/</link>
					<comments>https://respect-mag.com/2015/02/vintage-kanye-west-pre-college-dropout-1996-2000/#respond</comments>
		
		<dc:creator><![CDATA[Dread Solo]]></dc:creator>
		<pubDate>Sat, 14 Feb 2015 16:33:49 +0000</pubDate>
				<category><![CDATA[Editorial/Opinion]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[1996]]></category>
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		<category><![CDATA[hip-hop]]></category>
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					<description><![CDATA[<p>This is not to take focus off of Kanye West&#8216;s recent moves and successes, but to shed light on an old sound he used to offer from 1996 to 2000. If you study Kanye&#8217;s production over the years you will [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2015/02/vintage-kanye-west-pre-college-dropout-1996-2000/">Vintage Kanye West: Pre-College Dropout (1996-2000)</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/02/Ye.jpg"><img fetchpriority="high" decoding="async" data-attachment-id="89755" data-permalink="https://respect-mag.com/2015/02/vintage-kanye-west-pre-college-dropout-1996-2000/ye/" data-orig-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/02/Ye.jpg?fit=630%2C573&amp;ssl=1" data-orig-size="630,573" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/02/Ye.jpg?fit=630%2C573&amp;ssl=1" data-large-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/02/Ye.jpg?fit=630%2C573&amp;ssl=1" class="alignnone size-full wp-image-89755" src="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/02/Ye.jpg?resize=630%2C573" alt="" width="630" height="573" data-recalc-dims="1" /></a></p>
<p>This is not to take focus off of <strong>Kanye West</strong>&#8216;s recent moves and successes, but to shed light on an old sound he used to offer from 1996 to 2000. If you study Kanye&#8217;s production over the years you will certainly notice a development in sound, as expected from any artist with longevity in this hip-hop game. We will be breaking down strictly production in this article, while also take note of his early emceeing days as well. In the summer of 1996 <strong>Fat Beats</strong> made a big store-front shift, and during their grand opening night Kanye could be found alongside <strong>Al Tariq, Butter Lee</strong> and <strong>Black Attack</strong> on some raw, smooth 90&#8217;s tip. There is a good chance you will learn something new from at least one or two of these audio clips below. If not, take it as a refreshing reminder or something that you can talk to your brother or co-worker about later on today. Enjoy:</p>
<p>&nbsp;</p>
<p><iframe src="https://www.youtube.com/embed/2rCDb2b5mo0" width="533" height="300" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Chicago emcee <strong>Grav</strong> released his heavily slept on <em>Down To Earth</em> in 1996 under Correct Records. Kanye West produced a total of eight records on this album, making it his debut appearance on wax. Notice the raw boom-bap sound he was rocking here. Aside from Grav&#8217;s lyrical debauchery, the album&#8217;s production alone was given a lot of credit. &#8220;Sick Thoughts&#8221; is a standout record. So much so, that all hip-hop heads should have it in their stash.</p>
<p>&nbsp;</p>
<p><iframe src="https://www.youtube.com/embed/oy16Dd5BRX8" width="533" height="300" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>In 1998 <strong>Jermaine Dupri</strong> released his debut <em>Life in 1472 </em>LP, with &#8220;Turn It Out&#8221; featuring <strong>Nas </strong>serving as the introduction track. This is a straight up party record, really highlighting those early So-So Def days we all remember all too well. Kanye West had some fun with this joint, tastefully utilizing some <strong>Willie Hutch</strong> and <strong>Davy DMX</strong> on the samples.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" src="https://www.youtube.com/embed/ghJFGPD91A8" width="533" height="300" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>After <a title="Foxy Brown iTunes page" href="https://itunes.apple.com/us/artist/foxy-brown/id35303"><strong>Foxy Brown</strong>&#8216;</a>s successful 1996 <em>Ill Na Na</em>, she returned in 1999 with her sophomore release <em>China Doll. </em>The album is loaded with concrete features and production, with <strong>Kanye</strong> being the producer on &#8220;My Life.&#8221; Kick back with this dreamy, relaxing hook while scratching your head in shock if you didn&#8217;t already know Ye was on the boards.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" src="https://www.youtube.com/embed/3r9OnEVAMi0" width="533" height="300" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><strong>Harlem World</strong> was a short lived collective, with only one album release titled <em>The Movement,</em> also from 1999<em>. </em>&#8220;You Made Me&#8221;<em> </em>appears near the beginning of the album, and features <strong>Carl Thomas</strong> and Nas. Kanye West appeared to keep this one pretty simple, allowing the emcees to do what they do.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" src="https://www.youtube.com/embed/1PmvUqofqP4" width="533" height="300" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>Do you remember the voice on the introduction to <strong>Biggie</strong>&#8216;s &#8220;Kick In The Door?&#8221; How about <strong>Black Rob</strong>&#8216;s &#8220;Whoa!?&#8221; That is producer/emcee <strong>D-Dot (The Madd Rapper)</strong> who released his debut LP in 2000 titled <em>Tell &#8216;Em Why U Madd, </em>with Kanye West on the science. This is a real zone-out, mellow cut from Kanye&#8217;s super early catalogue.</p>
<p>&nbsp;</p>
<p>With all that being said, we hope you learned at least one thing from this article about Ye and his early production. If you didn&#8217;t learn anything, maybe this was simply a refreshing reminder for you hip-hop junkies that he has been doing his thing for quite some time, and not just some overnight pop star that the younger generation may view him as.</p>
<p>&nbsp;</p>
<p>Wait, here goes that bonus footage from 1996 at Fat Beats, as mentioned in our introduction. You&#8217;re welcome:</p>
<p><iframe loading="lazy" src="https://www.youtube.com/embed/rd6NS7CIqVU" width="533" height="300" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2015/02/vintage-kanye-west-pre-college-dropout-1996-2000/">Vintage Kanye West: Pre-College Dropout (1996-2000)</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
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