If you listen to The Internet, then Tay Walker is a familiar voice, known for his standout vocals on recent songs like “You Don’t Even Know” and “Runnin'”. Now looking to branch out on his own, Tay prepares to release his debut album 25 Hours A Day (April 30th). The lead single, “Waste of Time”, finds a post-breakup Tay questioning a past love and wondering if it was as the title suggests.

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The song itself conveys this hope as well, with Tay placing his faith in karma to resolve the breakup properly. It isn’t surprising if you’ve listened to The Internet, but on “Karma,” Tay Walker does a splendid job of exploiting the nuances of the instrument’s various sounds. When he smoothly sings, “I want the chance to be a man/ You have to understand the reason why I had to leave,” his voice beautifully fuses with the keyboard. The fusion is so complete, in fact, that the words are barely discernible; for that brief moment, his voice itself becomes an instrument. Listen below. This song is glorious.

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Tay Walker might be most known for his work as 1/5 of The Imaginary Friends, who tour and record with The Internet, but the young singer/songwriter is beginning to grasp fans all by his lonesome. On this collaboration with producer Aayhasis,  Tay Walker experiences a lucid dream and learns some lessons about life. “Dreaming” will serve as a single on Aayahis new project, City Of Angels as well as Tay Walker’s upcoming 25HAD, which is set to premiere any time now. Download this latest track and stay tuned and catch Tay Walker performing on this upcoming Space Migration Tour with Mac Miller, The Internet, Chance The Rapper and many more.

The post RESPECT. World Premiere: Tay Walker – “Dreaming” (Prod. by Aayhasis) appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

Tay Walker drops a great new joint in commemoration of our lost ones. “This song expresses deep thought about loved ones we have lost, its a song that we mourn over them, but it’s nothing we can do about gods plan. We must have a peace of mind and understand that they are in heaven now, watching over us,”  says Walker.

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Photo by Jack Sommer/RESPECT.

The Internet, Phony Ppl, and Kilo Kish weren’t the only bubbling stars at the show at the Bowery the other night. During The Internet’s amazing set, Syd introduced her longtime friend and music partner Tay Walker. The crowd was in utter silence, listening to a voice that displayed so much depth and range. While playing his favorite song “Karma,” which was more of a traditional R&B jam than the rest of the night’s set, shrieks of women could be heard in the crowd. Vocally, Tay’s a great juxtaposition to the crooning style of the Internet — and did we mention that he’s a musician as well? We gathered after the show to discuss his upcoming project entitled 25 Hours a Day and his future with The Internet.

First off, congrats. How are you feeling after that show?

Man, I feel the same way  after every show. It was a pretty amazing show. Everybody showed so much love.

Is this your first time performing in the U.S.?

This is my first time in New York. For sure, I’ve always wanted to come to New York. We just came from Europe a month ago. We did a whole European tour but they definitely showing us a lot of love here.

Did you expect this reception when you guys started working on Purple Naked Ladies?

You know, it’s funny. When we were working on the album, we weren’t even thinking about doing it live. Ya know, me on the keys. I just went to the studio, and  Syd was like, “Sing this song.” And she was actually supposed to sing the whole song, and I came in and ended up singing that part. She liked the way I sang it and I got on the track. She was like, “ Yo, you just staying on there.”  I was like “For sure, I’m down with that.” Everything  started happening so fast. They really like us overseas. We like to go over there  a lot.

Photo by Jack Sommer/RESPECT.

How did you meet the internet?

I’ve known Syd for ten or eleven years. I’ve known her since I was like ten years old.  I’m from L.A. She had a studio on Crenshaw in L.A., and that’s where OF started. Right there in the trap, man. Tyler, the Creator, Hodgy — everybody was in that studio full time, every day of the week, 24/7, just making music over and over. I figured that if we work hard enough, something will happen.

Syd’s such a great person. I’m happy to be doing the piano at the show, but I asked if it would it be okay if I sang “Karma” at the show. She said, “Fuck yeah, it’ll make the set that much better.”

It feels like so much has come from the Odd Future movement. What is it like to be around that energy?

Odd Future is incredible. I’ve never seen anything like that. People compare them to Wu-Tang because they’re rebel kids, but at the end of the day they’re doing something that nobody is doing right now. They’re really just attacking your comfort zone. Odd Future fans will rip your head off if you say anything about OF. They’re doing a carnival in L.A. I know it’s going to be crazy.

Frank is my inspiration. That dude probably the most talented writer I’ve ever known. I feel really blessed even to be a part of it.

Frank is speaking on love in a way we haven’t heard before. How did you feel about the album?

He changed R&B. He literally took the face of R&B and upgraded it. He’s not just singing a song. He’s telling a story. And that’s something that I like to do as well. If you tell a story you can feel the song with all five senses. That’s what that man does on every track. He thinks outside of the box.

What’s your background with singing?

I’ve been singing forever. My mom is actually a singer, and she actually brought me up on everything Motown. Stevie Wonder is my idol. I was just trying to mimic him as a kid, and you know, Jamie Foxx, Boyz II Men, Tyrese.  All these soft-spoken but really sensual singers.  If you mimic a style, your own style will come out of it. So that’s what happened to me.  A lot of people compare me to Tyrese and Jamie Foxx, but I don’t mind because at the end of the day, I look up to those guys.

What’s your favorite Stevie Wonder song?

Honestly, “A Ribbon in the Sky.” I sang it at my aunt’s funeral. It’s always been my favorite song. My mom sang it at my uncle’s wedding. It’s a very spiritual song. It as a lot of meaning to it. I would practice it over and over again as a kid.  You can’t really not like a Stevie Wonder song. He’s the man.

How were you involved on Purple Naked Ladies production-wise?

I actually didn’t produce anything on Purple Naked Ladies. I played the keys, but we actually did that in rehearsal. I sang on “They Say,”  but that was it. The next project they’re coming out with, I’m a lot more involved. I’m producing on it, I’m writing on it a lot, and I’m also featured a lot as well. Purple Naked Ladies is kind of an introduction with me. The second album should definitely hit pretty hard.

I heard you say on stage that you had a project coming out.

Yes, it’s called 25 Hours a Day. Syd and Matt are actually producing a couple tracks on the project. CoCo from Quadron is going to be a part of it, Gwen Bunn is going to be on it, Mike G’s supposed to be on it. Speech is going to be on it. Ill Camille is going to be on it. “Porsche” featuring Ill Camille is going to be on the album. We’re also doing an EP together.  I just have a lot of stuff in the works.

What’s the drop date?

I don’t have a drop date just yet because  I’m still working really hard on it. Everyday I get a new song that I want to put on it. I’m making these songs that just sounds super dope and I’ve been working on that album for a minute. This one’s for sure, and I’ll release the release date soon.

Photo by Jack Sommer/ RESPECT.

Your song “Karma” is about a particular relationship. Do you think love fuels a lot of your writing?

Yeah, you know I actually wrote “Karma” a couple years ago when I was in high school. When I wrote that song, I was going through a little something, but my whole songwriting has shifted quite a bit. “Karma”’s going to be my baby. It’s switched up a bit, but it’s still a soulful sound. I’ll never get rid of that song. “Karma” is probably my favorite song I’ve ever made.

What else inspires you to write?

Honestly, if the beat knocks hard enough then lyrcis will just start screaming at you. I could write a song in no time if the beat is nice. Sometimes me and Syd and the rest of the crew will just sit down and we’ll be sitting around, fooling around, and come out with this. And then all of a sudden we all just get very deep into thought. We’ll sit and say “This sounds like this,” so we’re not going to write it like a normal song. We’re going to actually write it like a story. So we’re going to tell the first part of the story, the middle, and the last part. We actually go through it surgically every single time we make a song.  It’s a fun process, but at the end of the day, we’re just going to tell stories. At the end of the day, I think people want to hear stories. That’s the reason why Frank, and all these amazing writers get it from. They’re telling you and you can relate because they’re describing it instead of some repetitive hook.

What are The Imaginary Friends?

Technically, that’s the group in general. That’s actually the original name before Syd and them came up with the Internet. We were the Imaginary Friends. Pretty much like the Funk Brothers of today. We just wanted to make music and we didn’t have a plan. Then, they came up with Purple Naked Ladies and they came up with the Internet. So the Imaginary Friends is me, Pat, Syd, Matt, and Chris.

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Photo By Jack Sommer/RESPECT.

Dear hip-hop, the hipsters aren’t faking the funk anymore. They’re creating it. On a somewhat dreary night in New York, three of underground music’s  hottest acts turned out to lower Manhattan’s Bowery Ballroom to provide an excellent show for an eclectic and intimate crowd. Together, The Internet, Kilo Kish, and Phony PPL showcased hip-hop’s newest alternative sound.

Brooklyn Youngn’s Phony Ppl woke the restless crowd, with gems from their own EP sprinkled with tidbits of other records. The nine-man collective gets better each time they perform. Not only did they exude a family vibe on stage, but every member felt like a frontman, confident with what they brought to the table. One part Nirvana-esque teen spirit, a dose of New Edition plus a touch of The Roots and you have Phony PPl. They were like an iPod on shuffle playlists, transitioning from genre to genre seamlessly.

Kilo Kish followed Phony’s electric performance. Outfitted in a sheer floral blouse, matching shorts and white converse sneakers, she comes off as half sexy, half tomboy easily making a room full of teenage boys foam at the mouth. If anything, it’s  reminiscent of an early Kelis and an easygoing M.I.A. She remained mildly entertaining, passing out Tootsie Roll lollipops to the crowd: “These are all the shitty flavors.”  Kish passed the mic to members of the crowd, letting them speak random words to their hearts content and she brought out Brooklyn-Psychedelic duo Flatbush Zombies, who provided some much needed energy. Juice, The guy with the brightly dyed hair and the gnarly beard, turned it up a notch, passionately spitting his verse from their collaborative track, “Jupiter Sound,” off  the Zombies debut, D.R.U.G.S. While evoking innocence and fun, Kish’s lyrics give way to much more deep subject matter. Wrapping up her second to last  song she told the crowd, “That song was about my ex-boyfriend. Fuck that dude.”

Photo by Jack Sommer/RESPECT.

Close to the end of the show, the eager crowd bunched together to hear a closing set from headlining act, The Internet. Powered by the release of their debut album, Purple Naked Ladies, they were able to make a small dent in the music world, proving Odd Future is more than just a rebellious clique of LA loiterers. “Tyler made this beat in 2008. It’s timeless music,” Syd said confidently referring to “Live it Up.” It’s true, Purple Naked Ladies feels like it’ll stand the test of time, bookmarking a resurgence of bohemian culture in today’s youth. Middling their set, Taylor Walker, who sings vocals on “They Say,” gave a riveting performance of his song “Karma,” a soulful tune about a relationship gone awry.

Photo by Jack Sommer/RESPECT.

Syd and Matt The Martian referenced their Odd Future friends for much of the set, giving props to their music family. As they performed the single “Cocaine/Tevie” Syd shouted out member Left Brain, who actually gave them their stage name, The Internet. “I wish Left Brain was here man,” she said reluctantly. “Why don’t y’all sing his part.”  The already entranced crowd responded as she pointed the mic toward them. “ I’m high on coke! She high on coke!”

All of these acts maintain remnants of hip-hop’s past, but help define the culture’s future. Their stances on love, weed, and relationships are for the forward minded. Ushering in a new era, these kids are creating the music that our legends used to create at will, but are now too old to re-invent. Hopefully, the mainstream will catch on fast and start letting these newbies define a generation, as they should.

Photo by Jack Sommer/RESPECT.

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Haven’t heard of Taylor Walker yet? Don’t worry, you will. The young crooner who made an appearance on “They Say” from The Internet’s critically acclaimed Purple Naked Ladies album, is currently touring with the Odd Future affiliates. What’s dope about him? Well, he’s definitely got the songwriting ability and he’s a talented musician. On his latest, “Porsche,” featuring Ill Camille and Goldsmith, he relates a young lady’s curves to that of a Porsche car. But he doesn’t have a one track mind. For more depth, check out his track “Karma”.

Tay Walker – Porsche by Quality Time Online

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