Over the weekend, fans celebrated the life of the legendary DJ Screw on the 13th anniversary of his death. Aside from furthering Houston’s presence in the rap scene, the DJ was the innovator behind one the most recognizable sounds ever: chopped and screwed. The hazy, slowed vocals over jarring cuts and chops take on a life of their own and bring an entirely new dimension to songs. The sound is ubiquitous within Houston music and is generally the first thing that comes to mind when fans think of the city’s music (save for, perhaps, grillz). Following Screw’s innovation, many other DJs ran with the sound, from the likes of Michael Watts of Swishahouse fame to OG Ron C, who is carrying on the tradition today. While the difference between great and terrible screwed remixes is vast, a properly-executed one can be even more enjoyable than the original. Therefore, in honor of DJ Screw, we’ve compiled a brief list of some familiar songs that are better slower.If you’re looking to get your feet wet in the sound, this is the pool for you. Enter the land of Screwston below.

Westside Connection – “Bow Down”

DJ Screw takes the piercing horns provided by Bud’da on the original version and muffles them in a sea of dirty sprite. The result is a much more menacing and scary threat than Westside Connection’s angry original.

UGK – “One Day”

UGK’s classic off Ridin’ Dirty is already melancholy, but DJ Screw manages to milk a little more sorrow out of Bun and Pimp’s vocals. The high-pitched harmonizing of the chorus is gone and replaced by tortured crooning.

Chamillionaire featuring Z-Ro – “Denzel Washington”

As mentioned, DJ Screw was the pioneer, but plenty of other DJs followed suit and put their own twist on the screwed & chopped sound. Michael “5000” Watts goes back a long way with Chamillionaire, and has remixed plenty of his records. “Denzel Washington,” though, off Cham’s Mixtape Messiah 7, is one of the standouts. Accompanied by another Texas legend in Z-Ro, Chamillionaire’s fast-paced flossing stops to smell the purp here.

Drake – “Marvin’s Room”

Houston may be home to the screwed sound, but you don’t need to be from there for your music to fit. Drake’s music has been screwed and chopped plenty of times. In fact, Ron C has chopped up all of the Toronto rapper’s albums in full. The undeniable winner, though, is “Marvin’s Room” (okay, “Trust Issues” is up there, too). The drunk dial has never sounded sadder and more desperate than it does right here.

The Weeknd – “Wicked Games”

Continuing with Ron C’s Toronto connections, here he manages to make The Weeknd’s music sound even darker. “Wicked Games” gets turned on its ear as Abel‘s vocals cry out in pain over a plethora of chops.

Bonus: Big HAWK – “I’d Rather Bang Screw”

Another fallen Houston legend, Big HAWK, delivered a classic when he professed his love for DJ Screw and the whole chopped and screwed sound. While it doesn’t have a non-screwed counterpart to compare it to, it’s only right to pay homage to the song as it encapsulates the entire city and sound.

The post 5 Songs That Sound Unfathomably Better When Chopped & Screwed appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

RiFF RAFF recently stopped by Hot 97 for a noticeably intense interview. Sitting down with radio hosts Peter Rosenberg and Ebro, RiFF was subjected to some tough questions regarding his authenticity as an artist, particularly from Ebro. The uncomfortable exchange was recorded and uploaded to Hot 97’s Youtube channel. Before continuing, watch below.

Saturated with tattoos, sporting flamboyant jewelry and speaking with a twang that’s half Texan, half mouthful-of-Listerine, RiFF RAFF is certainly an odd spectacle to behold. In that sense, it makes sense that radio personality Ebro confronted RiFF so aggressively. For Ebro, RiFF is the latest manifestation of a troubling history of white artists rising to prominence through ridiculing black artists. The example par excellence is Vanilla Ice, who is infamous for being one of rap’s first “perpetrators.”

While Ebro’s tenacity is heartfelt and understandable, there are some serious issues with his comparison between Vanilla Ice and RiFF RAFF. First of all, like RiFF RAFF, Vanilla Ice wasn’t a joke. The story that he fronted as a gangster in order to be a “credible” artist is half true. While there were efforts to alter his history to make him more street, these efforts were on behalf of his label rather than himself. SBK Records, the label that he was signed to during his meteoric rise to fame, published unauthorized biographies about him and sold them, notably altering his history to “justify” him as a rapper. Ice didn’t even know about these biographies: he found out about them while he was on tour. So Ice technically isn’t even an example of a perpetrator.

Beyond the myth of Vanilla Ice perpetrating, the bigger flaw with the comparison between him and RiFF is the implication that RiFF and Ice are similar simply because they’re both white rappers. This is a shallow understanding of race. While race is hard to look past, an important thing to remember is that it is always intertwined with other social categories, especially where you’re from. At one point during the interview, RiFF RAFF, who is from Texas, mentions his affiliations with famed Texas record label Swishahouse. Swishahouse’s heyday may be over, but it is well known for introducing the world to Paul Wall. Although Paul Wall and RiFF are far apart on the spectrum of flamboyance, their common origin in Texas suggests that in Texas, what might be seen as mockery in other places is completely normal. In other words, by Texas standards, RiFF isn’t so odd. The same goes for Vanilla Ice, who is also from Texas. Ebro doesn’t even consider this. For him all white rappers can be compared to all white rappers. C’mon Ebro, didn’t Yelawolf already solve the white rapper conundrum?

This isn’t to suggest that all white rappers from Texas get a pass, but merely to highlight that race isn’t this free-floating thing. Location, time period, gender, nationality, class and various other social categories should always come to bear on the assumptions we make about race.

And beyond that, the simple things that people want for themselves are important as well. Just because RiFF says he isn’t a joke doesn’t mean we have to believe him (Full disclosure: this writer believes him), but it does mean we should at least take his reasons for not considering himself a joke somewhat seriously. Ebro didn’t do that. He looked at RiFF RAFF, made up his mind then berated him for what he thinks RiFF RAFF is doing. That’s disrespectful.

For more on taking RiFF somewhat seriously (but not in a dumb, pretentious way), check out these essays by Cameron Kunzelman.

The post disRESPECT: RiFF RAFF is Not the New Vanilla Ice appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.