On Wednesday the “Jet Life Tour: Direct Flight” made its stop in Chicago, and those who made the trip rocked out with several hundred Chicago faithful. Corner Boy P, Fiend, Mikey Rocks, Trademark, Roddy and last but not least the Spitta himself graced Metro’s storied stage in front of a raucous crowd. The place was packed, but this wasn’t an uncontrolled mob. To put it bluntly these people were here to see one of New Orleans’ finest, and they weren’t about to fuck that up.

One thing was clear, the buzz in the building was palpable. Patrons continued to pack into Metro’s main floor and balcony for almost an hour after the start of the show, but when Curren$y’s set started the crowd took their energy to another level. Most rappers have to resort to the tired, old “throw your hands up” pump up, but Curren$y’s fans know what’s expected of them.

To be fair by the time the Jet Life front man reached the stage it was hard to discern between the smoke from the crowd and what was coming from backstage. Nevertheless, when the DJ dropped “Elevator Musik” the venue went into full party mode. “We only two songs in, but this shit is like a wrestling match” Curren$y said. Not a complete exaggeration, but the electricity running through the building was unreal.

For all of you out there wondering if this tour is worth your time and money, you’re not just going to get a series of tracks from the New Orleans-bred emcee. This show is about that whole damn catalog y’all. Pilot Talk, Pilot Talk II, Muscle Car Chronicles and Verde Terrace all got some play, but that’s just naming a few. This attention to detail and work ethic is what gets the seats filled for Spitta’s shows. The man is willing to work for his fans, plain and simple. Ain’t nothing to it, Just Enjoy This Shit.

Check out the rest of the tour schedule HERE.

Check out some more pictures from the show below:

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TMZ is reporting that Curren$y has filed a lawsuit against Dame Dash, claiming that Dash released two albums of his in 2010 (Pilot Talk and Pilot Talk II) without permission. The two attempted to work out a deal in which Dash would release the albums, but the agreement never fully materialized. The New Orleans spitta says that Dame continued to release his music even after the rapper signed with Warner Bros. in 2011. Dash, however, claims that he is fully justified in releasing the music considering the two had worked out an arrangement in 2010 and claims that Curren$y is the one who reneged on the deal and went to Warner. The rapper is suing for $1.5 million in damages.

The post Curren$y Sues Dame Dash for $1.5 Million appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.