Lil Bibby checks in with Scoop B Radio Overtime. Photo Credit: DJBooth.net

Chicago has always been rich in talent in sports, entertainment and sports. There’s been a renaissance most recently with a lot of rappers propelling their careers to the next level. Youve got up and  comers like G Herbo, Lil Bibby, The Boy Illinois and more on that trajectory to get to the next level.

In basketball culture, there’s always talk about a Mount Rushmore of great players, or as Jadakiss calls it: the top 5 Dead Or Alive. ‘Kiss even told me his.

Click here to view it.

Keeping it Chicago, I caught up with Lil Bibby on a recent episode of Scoop B Radio Overtime to discuss who’d he put on his Mount Rushmore.

“I like Twista, I like Bump J, I like Kanye [West], Common is dope,” he told me on Scoop B Radio Overtime.

Hear the rest by clicking below. 

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The post Lil Bibby Names His Mount Rushmore of Chicago Lyricists appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

“I was in the studio with Chopsquad DJ working on new records for the “Molly” mixtape. We made the beat there and I knew Bibby would be perfect for the record and the sound. Plus I’ve always been a fan of Bibby’s work. Chopsquad DJ was a mutual friend of ours so DJ made the connection between us. Once we got in the studio together the record just came together so organically. Both of us came off the top on our verses and it was just a real vibe.”

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If you’re a Lil Bibby fan, chances are you have his most recent release, Free Crack 3, in heavy rotation. By the time you get tired of that (February 5th), the Chicago native will be dropping his debut album, FC3: The Epilogue. For now though, you can check out the visual to his latest drop, “Can’t Trust A Soul”.

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Recently announcing that he’s going back to college to receive his Doctorate degree, Lil Bibby revisits his Free Crack 2 mixtape, dropping off his latest set of visuals for the T.I.-assisted “Boy.”

This song was a bit slow to grow on people, but expect it to pick up some steam in the coming weeks. Check it out above.

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Chicago’s Lil Bibby calls on Taylor Gang’s Wiz Khalifa and Juicy J for Pt 2 of his “For The Low” single. Produced by Goose, the track is featured on Bibby’s upcoming mixtape Free Crack 2 which is dropping on August 29th. Enter the trap with Bibby below.

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It is that time of the year again, folks, where XXL reveals their Freshman cover. This year’s “Dirty Dozen” are Chance the Rapper, Rich Homie Quan, Isaiah Rashad, Ty Dolla $ign, Lil Durk, Kevin Gates, Troy Ave, Vic Mensa, Lil Bibby, Jon Connor, Jarren Benton, and August Alsina. There is always a ton of scrutiny on who makes the cut, and by the look of it this year will be no different. The actual definition of “freshman” is always a hot debate because many of these artists have already had multiple mixtapes, and August Alsina just dropped his debut album.  Many may have something to say about August and Ty Dolla $ign making the cut since they are more in the R&B category and the list is usually limited to rappers. What do you think about the list? Do you think these 12 men were deserving of gracing the cover? Not one female on the cover? Who do you think should have made it? Hit us in the comments to let us know your thoughts.

The post Here’s Who Made XXL’s 2014 Freshman Cover appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

As the folks at XXL prepare for the unveiling of their 2014 Freshman class with pitch videos from some of this year’s candidates, the anticipation builds, and fans begin to pull for their favorite artists to get the coveted spot. Here at RESPECT., we figured it was time to toss in our votes. Knowing that a spot on the Freshman cover is a nod reserved for artists with star power and promise of full, fruitful careers, we’ve selected ten stellar freshmen.

Chance The Rapper

Photo by Julia Schur

It’s best to start with the obvious. No “rookie” in the last year has made as distinct of a mark, as good of a project (#3 on or year-end list) or ascended as drastically as Chance. The Chicago representer (a theme here) has hip-hop heads, hipsters, and pop fans flocking to his brand of stylized, substantial sing-rap that stays both goofy and grounded. With a mind for the minimal and the maximal, it’s clear that Chance‘s and his polished, speed-ball execution have heaps of projects just waiting to recalibrate the hip-hop world.

Young Thug

Via Hiphop N More

Portland’s breakout star of the moment is the other most distinctive act on this list. Twisting auto-tune into a squeaking, mumble-prone balloon animal, Young Thug has made an undeniable imprint on hip-hop, musically and culturally. The unabashed weirdo looks to be an innovator in his craft as well, pushing the sad/drunk robot brand of R&B to abstract new heights. This man is a serious hit maker, and the second he gets a big collab under his belt (beyond Nicki‘s adoption of “Danny Glover”), he’s going to skyrocket.

Rich Homie Quan

Via MTV

He’s the man who’s out-Futuring Future. Quan‘s distinct, brash approach and crackling voice have him absolutely dominating the hook game. For 2013, Quan could have been radio rap’s MVP, let alone Rookie of the Year. “Type of Way” deserves every bit of its inescapable status–the Atlanta, Georgia native packed the song full of slick reasons to remember it. The chorus is bold and, of course, catchy, but it’s the bridge that deceptively grabs, if only for it being the best display of Quan‘s range on the track, as he starts choppy (“Sh!t,” anyone?) and finishes like velvet. Combine that with his show-stealing appearance on YG‘s “My Nigga” and you have a man who’s sliding off with the game. That’s a smooth operator.

Isaiah Rashad

Via Break On A Cloud

How could the latest kid that TDE put their chips on not be a star? It’s a serious testament to Isaiah Rashad‘s immense talent and heart that he seems to be exceeding expectations. Though Rashad hasn’t had his breakout hit yet,  the pre-Cilvia “Shot Me Down” coming closest, he has still proven himself as a formidable new voice. Rashad boasts dense though accessible songwriting, a cold flow from somewhere between Kendrick, Pac, and the South, an ear and voice for hooks, and refined taste for beats and aesthetic. He not only has a story worth telling, but he tells it with measured grace, letting his audience in with well-timed tugs at the curtain. Assuming he grows into the kind of performer that demands to be heard as much as his music deserves, Isaiah Rashad has a long career ahead of him.

Lil Herb

Via Complex

The most emotive of this year’s Drill scene crop, Lil Herb sounds frighteningly grown in addition to being just plain frightening. More lyrically dextrous than most of his adjacent peers, while still every bit as authentic and immediate, Lil Herb stands above the somewhat monotonous though entirely compelling scene from which he rises. Last month’s Welcome To Fazoland finds Lil Herb beating dramatic, monstrous beats over the head with a baseball bat, but also displays some of his thematic range, as he gets a bit more upbeat on “Fight Or Flight.” Elsewhere, his distinctive growl comes off as an invigorating battle cry, and if Lil Herb continues his trajectory, the squad behind him is only going to keep growing

Rapsody

Via Ambrosia For Heads

To get it out of the way: yes, Rapsody has transcended the categorization of being a mere “female MC,” both via her abilities and opting out of a sexual aesthetic. To be, perhaps, redundant: she transcends that transcendence. Rapsody put out one of the best tapes of the last year in She Got Game, a showcase for her profoundly satisfying tightrope walk between the sentimental and inspiring, the revivalist and the classicist, the head and the heart. Choosing foundation over flash, Rapsody‘s built a winning formula, now all she has to do is roar louder.

Vince Staples

Via The Upturn

Vince is a slow burner. He gained a lot of exposure in 2013 from show-stopping spots on Earl‘s Doris (most admit he won “Hive,” but for our money, “Centurion” was even better) and from linking with Mac Miller for the cold, harrowing Stolen Youth. Now, having established a base and presence, he’s poised to step it up to the next level. The Long Beach rapper’s stinging, drooly flow takes a few listens to get used to, but once you cross the threshold, Vince is one of the most promising, developed acts there is. Take the brilliant “Nate,”–his next tape’s first single–for example. “As a kid, all I wanted was to kill a man” is only the song’s first line, and from there, the statements only get more pained, brash, and, most of all, captivating.

Vic Mensa

Via Vibe

Even in Chance‘s considerable shadow, Vic creates a sunlight all his own. With a flow so bursting with ideas that he has to fly off of the margin to deliver them all, Vic has left his print on hip-hop’s current climate. A listen to “Time Is Money” will show that Vic is both a born entertainer–innovating his own sound so quickly that even his mouth can barely keep up–and a thinker, letting off stellar, heartfelt line after line in dedication to his shredded home city, Chicago. “It’s like a solar eclipse in my city in the middle of a gunfight / Stray shots hit kids in the dark / That’s the way it is like Walter Cronkite,” he raps, his life seemingly depending on it. Vic has all the tools to be a force in our culture.

Troy Ave

Via The Home of Hip Hop

Sporting a slick flow and quintessential NY bravado, Troy Ave has made it his personal mission to put his aesthetic on the map. Troy is a purist to the bone–the kind of guy who calls Kendrick and Kanye weirdos and puts Raekwon and N.O.R.E. on a track called “New York City,” because that’s just how gritty he wants hip-hop to be. As Troy‘s hero B.I.G. once said, “We can’t change the world unless we change ourselves.” Troy certainly practices what he preaches: his latest LP, New York City is tough as hell and demands that the competition live up to its standard. Troy Ave is going to be a mainstay for the ’90s heads for a while.

A$AP Ferg

Via Sneakermob

The A$AP goofball/bridge troll surprised all (well, most) with the solid Trap Lord. Ferg has a knack for comedy and sticky hooks, and he fits snugly into the second-in-command role for the A$AP crew. With such a solid reputation building for hilarious hit-making, Ferg‘s paws are prime to hold the 2Chainz torch once Tity Boi hangs it up.

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Migos

Mr. mFn eXquire

Ty Dolla $ign

Lil Durk

Lil Bibby

YC The Cynic

Alex Wiley

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