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	<title>I Love Kanye Archives - RESPECT. | The Photo Journal of Hip-Hop Culture</title>
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	<title>I Love Kanye Archives - RESPECT. | The Photo Journal of Hip-Hop Culture</title>
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		<title>I [Don&#8217;t] Miss The Old Kanye</title>
		<link>https://respect-mag.com/2016/03/i-dont-miss-the-old-kanye/</link>
					<comments>https://respect-mag.com/2016/03/i-dont-miss-the-old-kanye/#respond</comments>
		
		<dc:creator><![CDATA[RESPECT. Staff]]></dc:creator>
		<pubDate>Thu, 03 Mar 2016 22:42:59 +0000</pubDate>
				<category><![CDATA[Editorial/Opinion]]></category>
		<category><![CDATA[I Love Kanye]]></category>
		<category><![CDATA[Jay-Z]]></category>
		<category><![CDATA[Kanye West]]></category>
		<category><![CDATA[old kanye]]></category>
		<category><![CDATA[The Life Of Pablo]]></category>
		<category><![CDATA[Yeezus]]></category>
		<guid isPermaLink="false">http://respect-mag.com/?p=123524</guid>

					<description><![CDATA[<p>Kanye West dropped &#8220;Facts&#8221;, right before 2015 came to a close and while Yeezy loyalists praised the song, fickle Hip-Hop fans, on the other hand, did not. Tweet after tweet flooded the timelines, riddled with disdain for what is most [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2016/03/i-dont-miss-the-old-kanye/">I [Don&#8217;t] Miss The Old Kanye</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="https://i0.wp.com/respect-mag.com/wp-content/uploads/2016/03/img_5626.jpeg"><img fetchpriority="high" decoding="async" class="aligncenter size-custom" title="" src="https://i0.wp.com/respect-mag.com/wp-content/uploads/2016/03/img_5626.jpeg?resize=600%2C450" alt="Old Kanye" width="600" height="450" data-recalc-dims="1" /></a><br />
<b>Kanye West</b> dropped <b>&#8220;Facts&#8221;</b>, right before 2015 came to a close and while Yeezy loyalists praised the song, fickle Hip-Hop fans, on the other hand, did not. Tweet after tweet flooded the timelines, riddled with disdain for what is most popularly known as Kanye&#8217;s diss record aimed at Nike, his former home.</p>
<p>The disgruntlement didn&#8217;t start there, however. It had been brewing for some time, dating back to when Kanye West dropped <b><i>Yeezus</i></b>, in 2013. There were complaints about his new sound, which could mostly be accredited to <b>Travi$ Scott</b>. There were complaints about the subject matter his songs contained. There where even complaints against his wife, <b>Kim Kardashian West</b>, who many think &#8220;changed&#8221; Kanye, both musically and overall.</p>
<p>Kanye West hadn&#8217;t really addressed the bitching and moaning, until he made a record called <b>&#8220;I Love Kanye&#8221;</b>, which is featured on his latest album, <b><i>The Life of Pablo</i></b>. The song is voiced from the perspective of those who don&#8217;t exactly approve of the &#8220;new&#8221; Kanye and mockingly serves its purpose, with lines like,<br />
<i><br />
</i></p>
<p><i>&#8220;I used to love Kanye/I used to love Kanye/I even had the pink polo, I thought I was Kanye&#8221;</i></p>
<p><i><br />
</i><br />
Here&#8217;s the thing.</p>
<p>What is it with Hip-Hop fans and their fetish for artists to stay the same for their whole career? Hip-Hop is an entity that is, has been and always should be evolving. Kanye West released his debut, <b><i>The College Dropout</i></b> in 2004. Twelve years ago, bro. So much has changed for him since then. He lost his mother, who was a huge piece of his life. He had a tumultuous love life that eventually resulted in a happy ending, as he got married and became a father twice. Shit changed. And for real artists, when shit changes, so does the music.</p>
<p>Take <b>Jay Z</b> for instance. There was a point in time where he rapped about his days in the Marcy projects, and all the shit he used to get into. Why? Because when he dropped <b><i>Reasonable Doubt</i></b>, in &#8217;96, he wasn&#8217;t too far removed from that life. But if you fast forward to his most recent album, <b><i>Magna Carta, Holy Grail</i></b>, he&#8217;s rapping about <b>Basquiat</b> paintings, and <b>Tom Ford</b>. He&#8217;s shooting videos at the MoMA. He&#8217;s rapping about a life that he probably wouldn&#8217;t have thought twice about living in the 80&#8217;s and 90&#8217;s.</p>
<p>Again, as the lifestyle changes, so does the music. As the times change, so does the music.</p>
<p>Why would an artist want to remain stagnant their whole career, instead of changing with the times? If <b>Kurtis</b> <b>Blow</b> put out an album tomorrow, rapping in the same cadence as back in the day, nobody would go get that shit. Nobody would listen to a single song, unless <b>Future</b> was on the hook and <b>Metro Boomin</b> was on the beat. So how much do you really &#8220;miss&#8221; the old version of (insert artist here)?</p>
<p><iframe class="youtube-player" width="640" height="360" src="https://www.youtube.com/embed/I1bbBqnG_cg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent" allowfullscreen="true" style="border:0;" sandbox="allow-scripts allow-same-origin allow-popups allow-presentation"></iframe></p>
<p>There is absolutely nothing wrong with the new direction Kanye West&#8217;s music is going in. It&#8217;s creative, it&#8217;s forward moving and it doesn&#8217;t sound like anything else that&#8217;s out right now. Do you know how hard it is to continuously reinvent yourself, while simultaneously staying relevant? How can you hate that? Enjoy the music, man. Embrace the new wave. I think Hov said it best: &#8220;Wanna hear my old shit? Buy my old albums&#8221;</p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2016/03/i-dont-miss-the-old-kanye/">I [Don&#8217;t] Miss The Old Kanye</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">123524</post-id>	</item>
		<item>
		<title>TM88&#8217;s &#8216;TRAPYEEZY88&#8217; Adds Atlanta&#8217;s Signature Feel To &#8216;I Love Kanye&#8217;</title>
		<link>https://respect-mag.com/2016/03/tm88-remixs-kanye-wests-i-love-kanye/</link>
					<comments>https://respect-mag.com/2016/03/tm88-remixs-kanye-wests-i-love-kanye/#respond</comments>
		
		<dc:creator><![CDATA[Jake Mayo]]></dc:creator>
		<pubDate>Thu, 03 Mar 2016 19:57:33 +0000</pubDate>
				<category><![CDATA[New Music]]></category>
		<category><![CDATA[Atlanta]]></category>
		<category><![CDATA[I Love Kanye]]></category>
		<category><![CDATA[Kanye West]]></category>
		<category><![CDATA[Remix]]></category>
		<category><![CDATA[The Life Of Pablo]]></category>
		<category><![CDATA[TM88]]></category>
		<guid isPermaLink="false">http://respect-mag.com/?p=123497</guid>

					<description><![CDATA[<p>TM88&#8217;s &#8216;TRAPYEEZY88&#8216; adds Atlanta&#8217;s  signature feel to ‘I Love Kanye.’ The enigma in which we call ‘TLOP’ has been a conversational mainstay since it’s release, (via TIDAL, or if you add in the 500,000+ and counting illegal downloads) and like most [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2016/03/tm88-remixs-kanye-wests-i-love-kanye/">TM88&#8217;s &#8216;TRAPYEEZY88&#8217; Adds Atlanta&#8217;s Signature Feel To &#8216;I Love Kanye&#8217;</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" data-attachment-id="123498" data-permalink="https://respect-mag.com/2016/03/tm88-remixs-kanye-wests-i-love-kanye/ty88/" data-orig-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2016/03/ty88.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2016/03/ty88.jpg?fit=500%2C500&amp;ssl=1" data-large-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2016/03/ty88.jpg?fit=500%2C500&amp;ssl=1" class="aligncenter size-full wp-image-123498" src="https://i0.wp.com/respect-mag.com/wp-content/uploads/2016/03/ty88.jpg?resize=500%2C500" alt="" width="500" height="500" data-recalc-dims="1" /><a href="http://www.twitter.com/IamTM88">TM88&#8217;s</a> &#8216;<em>TRAPYEEZY88</em>&#8216; adds Atlanta&#8217;s  signature feel to ‘<em>I Love Kanye</em>.’ The enigma in which we call ‘<em>TLOP</em>’ has been a conversational mainstay since it’s release, (via <a href="http://www.tidal.com">TIDAL</a>, or if you add in the 500,000+ and counting illegal downloads) and like most Yeezy records, the flood of remixes is a certainty. This time around, rising mega-prodcuer <a href="http://www.tm88world.com">TM88</a> (who’s credits include Future, Drake, Travis Scott, French Montana, Guvvi Man, Rocko, Young Thug, Wiz Khalifa, and so on) adds his hard-hitting and stylistic drum patterns to a record that has already taken on a life of it’s own. TM88 constructs a piece that blends Kanye’s original thematics with knocking drum sequences, a trap-centric approach, and minor affects that add depth, leaving the re-work organically enhanced, not necessarily changed. Sure, Kanye records can, and will, be played everywhere, but TM88’s take on ‘<em>I Love Kanye</em>’ ultimately translates to the strip club, which in Atlanta as we know, is sacred. The ’<em>TRAPYEEZY88</em>’ crafted remix breaths new air into a record that’s been released, (kind of) remixed, and re-creafted multiple times, adding not only to the Atlanta-beatmaker’s extensively impressive resume, but re-igniting an anticipation for a more widespread release of ’<em>TLOP</em>.’ Nobody loves Kanye like Kanye, but TM88 blesses the record in a major way. He&#8217;s not only putting on for Atlanta by forging innovative sounds from The Peach State, he&#8217;s slowly becoming an ambassador for the new school of beat makers, who&#8217;s wild and trendsetting style matches the creativity of the music as a whole. For more music and info from TM88, visit <a href="http://www.tm88world.com">tm88world.com</a>.</p>
<p><iframe loading="lazy" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/249941427&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%" height="25" frameborder="no" scrolling="no"></iframe></p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2016/03/tm88-remixs-kanye-wests-i-love-kanye/">TM88&#8217;s &#8216;TRAPYEEZY88&#8217; Adds Atlanta&#8217;s Signature Feel To &#8216;I Love Kanye&#8217;</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
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