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	<title>Facecard Archives - RESPECT. | The Photo Journal of Hip-Hop Culture</title>
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		<title>OG Maco &#038; Johnny Cinco &#8211; &#8220;Facecard&#8221; (Prod. By Deko)</title>
		<link>https://respect-mag.com/2015/04/og-maco-johnny-cinco-facecard-prod-by-deko/</link>
					<comments>https://respect-mag.com/2015/04/og-maco-johnny-cinco-facecard-prod-by-deko/#respond</comments>
		
		<dc:creator><![CDATA[Jake Mayo]]></dc:creator>
		<pubDate>Wed, 08 Apr 2015 16:40:37 +0000</pubDate>
				<category><![CDATA[New Music]]></category>
		<category><![CDATA[Deko]]></category>
		<category><![CDATA[Facecard]]></category>
		<category><![CDATA[Johnny Cinco]]></category>
		<category><![CDATA[Og Maco]]></category>
		<category><![CDATA[Quality Control]]></category>
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					<description><![CDATA[<p>OG Maco and Johnny Cinco’s “Facecard” is another shining example of why Atlanta and Quality Control are running the trap scene. “Facecard” is exactly what we’ve come to expect (and love) from these two, muffled crooning and versatile rhyming over [&#8230;]</p>
<p>The post <a rel="nofollow" href="https://respect-mag.com/2015/04/og-maco-johnny-cinco-facecard-prod-by-deko/">OG Maco &#038; Johnny Cinco &#8211; &#8220;Facecard&#8221; (Prod. By Deko)</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
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										<content:encoded><![CDATA[<p><img fetchpriority="high" decoding="async" data-attachment-id="94278" data-permalink="https://respect-mag.com/2015/04/og-maco-johnny-cinco-facecard-prod-by-deko/og1/" data-orig-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/04/OG1.jpg?fit=500%2C500&amp;ssl=1" data-orig-size="500,500" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/04/OG1.jpg?fit=500%2C500&amp;ssl=1" data-large-file="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/04/OG1.jpg?fit=500%2C500&amp;ssl=1" class="aligncenter size-full wp-image-94278" src="https://i0.wp.com/respect-mag.com/wp-content/uploads/2015/04/OG1.jpg?resize=500%2C500" alt="" width="500" height="500" data-recalc-dims="1" /><a href="http://www.twitter.com/OGMaco"><strong>OG Maco</strong></a> and <a href="http://www.twitter.com/1JohnnyCinco"><strong>Johnny Cinco’s</strong> </a>“<em><strong>Facecard</strong></em>” is another shining example of why<strong> Atlanta</strong> and <strong>Quality Control</strong> are running the trap scene. “<em><strong>Facecard</strong></em>” is exactly what we’ve come to expect (and love) from these two, muffled crooning and versatile rhyming over <a href="http://www.twitter.com/ThisIsDeko"><strong>Deko’s</strong></a> simplistic drums and melodic keys. The contrast between Cinco’s R&amp;B-esque trap drawl and Maco’s unorthodox, yet intricate wordplay, make “<em><strong>Facecard</strong></em>” a bon-fide head nodder. It’s safe to say this may be a club favorite &#8211; but that&#8217;s just a guess.</p>
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<p>The post <a rel="nofollow" href="https://respect-mag.com/2015/04/og-maco-johnny-cinco-facecard-prod-by-deko/">OG Maco &#038; Johnny Cinco &#8211; &#8220;Facecard&#8221; (Prod. By Deko)</a> appeared first on <a rel="nofollow" href="https://respect-mag.com">RESPECT. | The Photo Journal of Hip-Hop Culture</a>.</p>
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