We all have our own ways of coping with the quarantine that our world is currently facing. For some people, it’s working out on a daily basis, it may be comfort cooking or trying a new hobby such as quilting. Others have turned to the latest dance craze on Tik Tok or finally putting together that business idea that’s been waiting in the wings.

For the creatives of the world, this has become an unprecedented time to work on their craft. Normally, we’d be deep into social events, album releases, day parties, studio sessions, filming, editing processes and so on but as of now, everything is on pause. Using this time to foster those creative ambitions for a new flow or to connect with other artists to work on features while getting the business side of things handled can all be taken care of now that everyone has the time.

To be more specific all of those things hold true for a bright young star that goes by the name TheHxliday. Born in PerryHall, Maryland, the Hip Hop crooner has garnered over 10 million streams following his latest release ‘Broken Halls’ and has worked with producers Twice As Nice, Danny Wolf, Internet Money, Sledgren and Young Kio.

https://www.instagram.com/p/B-fZhyzlK40/

Currently quarantining in Chicago, I was able to catch up with him on “The Alternative Road Podcast” and discuss a swarm of topics starting off with his quarantine and what he’s been doing during this time:

Really I’ve just been listening to all my music…it’s just been a lot of music tho, I’m not even gonna lie to you it’s about like 500 songs in the vault I’ve been listening to.

Aside from listening to his 2pac vault level of music he’s been staying on top of keeping the essentials needed to last him the oncoming weeks inside:

I’m set (with Ramen Noodles) for the next couple of months…I’ve got some chiken, some chili, and some shrimp.

With enough Ramen to last him the entirety of quarantine, it seems TheHxliday’s fans may be in for a treat if and when he decides to release more songs from his vault. A song most of his fans may be familiar with now “Save Me”, had its own video snippet appear on his Instagram page not too long ago.

https://www.instagram.com/p/B9m041wFa25/

The question was posed and TheHxliday was pretty tight-lipped as to not give away any of the details. Yet, we were able to pull from him a couple of things that pinpointed the inspiration behind the song, the same ex-girlfriend from his viral hit “Enemy”:

That was actually around the same time (as “Enemy”). Look, I promise you half the songs you’ll ever hear from is about the stories from us. I have about 3 main exes that I talk about in my music but she is most of them. Almost all of them. And “Save Me” was around that time where I felt like, I didn’t want to talk to anybody or trust anybody or anything. It just had me really isolated. So at that time I made that song I was sitting in my room and I was just in the moment. I wasn’t expecting it to be such a pop sounding song though which is crazy.

When pushed a tad more, I was able to get a time frame for when this video will be released:

Not a certain date yet but certainly in the next week, week in a half. Or possibly two, two because I have a Lyrical Lemonade interview coming out right before. Once that interview comes out, it’ll be right around the corner.

Again this quarantine time is ripe for artists to be able to connect with fans and specifically other artists to make collaborations that may have been impossible due to their busy schedules. In speaking about a few features he’ll release for his fans during 2020, TheHxliday had this to say about future collabs he has Cowboy and Lil Baby:

It’s definitely going to be for the summer. I promose you that. It’s gonna heat up the summer.

While it may seem as if TheHxliday has already given so much, and has even more stored away in his vault, he also touched upon ideas on a ‘Dead Life’ album that he’ll chip away at:

It’s funny in how I just explained, you know the problems of my ex I told you about and eveyrhting and this first album is gonna be like, that whole story and summing it up so that I can move on and talk about the next siuation. This album is like a story all together. I’m calling it ‘Dead Life’ it’s like a play on words…it’s funny because I dyed my hair specifically for the meaning behind it. I had like green and red dreads. I have one green dread and one red dread and the green dread symolizes life and the red dread symbolozies death and everything. What that means is a part inside of me is kinda dead and green symblizses a part of life coming back inside of me. I feel like I’m finally moving on and coming out of that situaion. But it’s going to be that one bit of memory and everything. So that’s what I’m feeling right now. I’m putting a lot of thought into it and I don’t really have a release date or anything for it. It’s funny because a lot of fans and eveyrhting they catch onto that without me even telling them, it’s crazy.

The Alternative Road Podcast

Make sure to keep checking back to RESPECT.Mag for more TheHxliday and #TheAltWithMel news!

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The post #TheAltWithMel: TheHxliday Talks “Save Me” Video, Dead Life Album, songs with Lil Baby & more! appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.

Zeds Dead are no strangers to hip-hop. Yet, after introducing themselves to world as DC and Hooks of Mass Productions, a hip-hop beat making duo, Zach Rapp-Rovan and Dylan Mamid , have gone down a different musical path in the last two years– putting out a lion’s share of electro inspired tracks under their new alias Zeds Dead. Despite having already imspressed critics with their smooth transistion from the hip-hop sphere to the electronic world, Zeds Dead have come back with an even more impressive list of tracks, praised to be their most versatile project yet.  The Canadians recently released their EP The Living Dead, featuring four super mixed electro-dub tracks accompanied by the lyricallity of Canadian rapper, Omar Linx. Linx’s rhymes throughout the tracks are emphasized by Zeds usage of hard hitting bass to promote passage of fictional time in between Linx’s raps; this technique highlights the element of storytelling within the EP, as well as provides for some face-melting electronic dance music (EDM). Live electric Guitars, drums, and other traditional instruments are also added in to the mix on the last track, “Cowboy,” appeasing Rock-n-Roll heads alongside those eager for crushing bass and sentimental lyrics. It’s no wonder critics easily agree that The Living Dead is the groups most multifaceted project to date. With such a great EP, RESPECT.  had to catchup with Dylan Mamid, half of the Dead, to discuss sound, space, and everything in between.

Tell me about the process of pulling together The Living Dead.

Basically us and Omar Linx just sat in the studio over the wintertime and made a whole shit load of tracks. We kind of just rented this studio in the West End of Toronto, and just kind of got cracking to work. Some of the tracks were ideas we had before, some of them were brand new from scratch, but we ended up with maybe 25 or 30 songs and then we took all those tracks and made the mixtape Victor, which kind of preempted The Living Dead, and got the new EP.

How did you know which were the gems to put on the EP?

We decided that the Victor mixtape was going to be more sample based, a little bit more hip-hop vibe with some of our older stuff… Tracks we didn’t have cleared and stuff so we wanted to give it away for free. We decided the EP was going to be a little bit more in your face, banger type… the EDM world.

A lot of people say EDM music has one kind of sound–the loud, chaotic, dubstep. How do you mold your music into something more versatile, something someone can use as an outlet for different kinds of emotions?

We were never really dubstep producers in the beginning. We always just made a lot of different stuff, whatever we were into at the moment. So, it was never really that we wanted to make hard dubstep; it came from a much chiller place, and I feel like it had a lot more ability to have someone put vocals on it or emcee on it. For us, we always liked working with Omar and we made hip-hop beats with him before, so we just combined a lot of the stuff we liked together to make The Living Dead.

How did the collabo with Linx go exactly? Did you work with what he gave you, highlighting his vision with the lyrics, or was it the other way around?

Some of the tracks are stuff Linx had already written prior to us getting into the studio together, and some of the other ones was stuff that he actually wrote to the beat. For “Cowboy,” that track which is probably one of the more sentimental ones, he had already had that written before. He had already recorded that on another track, and we sorta wanted to take it and make a Zeds Dead-Omar Linx version of it, so we made the beat around his lyrics. We actually brought in my friend whose a guitarist, his name is Ricky, and he actually tours with Lady Gaga–he’s Lady Gaga’s guitarist–and he did all the guitar work on that track.

How do you reconcile going from your hip-hop sound to your electro sound?

For us it was kind of just a change to what we were getting excited about. We’ll always be huge hip-hop heads, but electro and dubstep became really exciting to us, so we wanted to make that kind of sound. But for me Zeds Dead is kind of just something that’s more an all encompassing electronic thing, where we can make all different styles of electronic music underneath it. It’s not just supposed to be a dubstep group or electro group. I want it to be open format. I want people to know we make different kinds of stuff and I think we can go back to making more hip-hop kind of stuff, I can use the skills I learned to make electronic music. Over the next while, we’re going to be doing a lot more different stuff and a lot more light chill stuff and the heavy stuff too, but I want our fans to know we make all types of shit.

Being a hip-hop head would you ever considered rapping over your own beats?

We always used to kick freestyles and shit. Our hooks started in a sense that [Zach] has a lot of crazy rhythms and he’s a really talented writer. We used to record shit for fun, but never actually do anything serious. I don’t consider myself a rapper. I enjoy it, and I’ll participate in a freestyle.

You’ve described your sound as “end of the world, what the big bang would sound like.” Do you think that still applies to the type of sound you were going for with The Living Dead?

Yea, something like how sound could exist in space. But no, I can’t elaborate on that.

What’s your dream place to perform?

In space.

What’s the ideal setting to listen to The Living Dead?

Going fast, whether you’re in a plane or a car or a rocket ship.

 If listeners could only hear one of the EP, which song would you choose for them peep first?

That’s a tough one, there’s only four and they’re all kinds of different styles. I’d probably say “Cowboys” because its the most mixed. It goes in a lot of different places, so it shows the versatility of the EP. “Crank” is just a high energetic hard one, and the other ones are kind of different, more ominous and dark. I think that Cowboys got both the light and dark aspects to it, you know.

Download The Living Dead on Beatport now!

The post Exclusive Interview: Zeds Dead talk Hip-Hop Mixed with Electro, Music in Space and their newest project, <em>The Living Dead</em> appeared first on RESPECT. | The Photo Journal of Hip-Hop Culture.