Alex Prager’s “Play the Wind” Closes Saturday at Lehmann Maupin

Play The Wind (2019; 8 minutes), the latest film and series of images by Alex Prager, well established for her genre-defying approach to image making that timelessly combines eras, cultural references, and personal experiences, will come to a close at Lehmann Maupin, this Saturday, October 26th. The new body of work is a fresh reflection on Prager’s place of origin, site of inspiration, and frequent character—the city of Los Angeles. Audiences can still catch Play The Wind on exhibit until Saturday, at 536 West 22nd Street.

Play the Wind is Prager’s contemporary take on the modernist tradition of anthropomorphizing a city, from Henri de Toulouse- Lautrec’s Paris, to James Joyce’s Dublin, to Keith Haring’s New York City, arises from the artist’s recent professional and personal transformation. Having passed a major career milestone—the publishing of her first monograph, Silver Lake Drive (2018, Chronicle Books), and a mid-career retrospective of the same title— Prager spent time reflecting on her beginnings as a photographer and her transition to film directing. In addition, the birth of her first child in the city where she too was born and has lived most of her life contributed to an uncanny nostalgia for the artist that psychologically pulled her into the past while simultaneously beckoning her toward the future. Creating a film that could contain these seemingly contradictory impulses became the impetus for this new body of work.

In Prager’s newest film, Play the Wind, we are led on a journey throughout Los Angeles with our protagonists Dimitri Chamblas (dean of the Sharon Disney Lund School of Dance at the California Institute of the Arts) and Riley Keough (American Honey and The Girlfriend Experience). Depicted from the vantage point of driving in the city, Prager cultivates a surreal sentiment of passing moments that feel like a fabricated memory or a dream. She utilizes this sensation of motion throughout the film as a narrative device, with her command of film directing, honed over eight films including the Emmy Award winning Touch of Evil (2011), now contributing a new sense of movement also evident in the accompanying still photographs. She anchors her characteristically elaborate fictional scenes within the real Los Angeles, shooting for the first time in many years primarily on location rather than in the studio—a decision that harkens back to when Prager began her career over a decade ago. Though the images contain large constructed set pieces and are populated with carefully cast extras (numbering up to 300), the presence of the Los Angeles streets infuses an element of urban lifeblood that is palpable in the work. Prager’s perception of Los Angeles is one of the artifice and drama befitting Hollywood, with real world chaos that overflows into sci-fi dystopia and post- apocalyptic dread. She toys with these visions of the city disseminated on film, TV, and within the popular imagination, which inform our characterization of a place as much as our own memories.

Technically important to the making of this film was Prager’s collaboration with a team to produce set designs and props that would add a layer of artifice and duplicity to her real-world locations. The interference of these traditional illusionary effects upon the actual Los Angeles streets and locations Prager shot on creates an unnerving sensation, hinting at the reality that might exist just outside of our perception. All of these elements are recast in the series of photographs, which appear in different configurations or on various scales that further destabilize any linear narrative. Drawing on the concept of a distorted memory, Prager has found ways to incorporate objects seen in the photographs and film into the gallery as sculpture, with the intent to further dislodge our understanding of place and time and bring us deeper into her highly constructed world.

Play the Wind is created by Alex Prager. Major support for Play The Wind is provided by Arts & Sciences and Dropbox.

View a behind-the-scenes look at the making of Play the Wind below: