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	Comments on: The RZA details Kung Fu and Black Culture	</title>
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	<description>The Photo Journal of Hip-Hop Culture</description>
	<lastBuildDate>Wed, 24 Oct 2012 22:19:56 +0000</lastBuildDate>
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		By: Album Review: The Man With the Iron Fists Soundtrack : RESPECT. &#124; musicBlogs		</title>
		<link>https://respect-mag.com/2012/10/the-rza-details-kung-fu-and-black-culture/#comment-10981</link>

		<dc:creator><![CDATA[Album Review: The Man With the Iron Fists Soundtrack : RESPECT. &#124; musicBlogs]]></dc:creator>
		<pubDate>Wed, 24 Oct 2012 22:19:56 +0000</pubDate>
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					<description><![CDATA[[...] The fusion of Black culture and Kung-fu elements3 that the Wu is known for emerges throughout the album, unsurprisingly most notably on the Wu tracks Rivers of Blood and Six Directions of Boxing. On both tracks, the Killer Bees go back to basics, showing why and how they became legends in the first place. Interestingly, the tracks (and most of the album) are produced by Frank Dukes. [...]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] The fusion of Black culture and Kung-fu elements3 that the Wu is known for emerges throughout the album, unsurprisingly most notably on the Wu tracks Rivers of Blood and Six Directions of Boxing. On both tracks, the Killer Bees go back to basics, showing why and how they became legends in the first place. Interestingly, the tracks (and most of the album) are produced by Frank Dukes. [&#8230;]</p>
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		<title>
		By: Album Review: The Man With the Iron Fists Soundtrack : RESPECT.		</title>
		<link>https://respect-mag.com/2012/10/the-rza-details-kung-fu-and-black-culture/#comment-10976</link>

		<dc:creator><![CDATA[Album Review: The Man With the Iron Fists Soundtrack : RESPECT.]]></dc:creator>
		<pubDate>Tue, 23 Oct 2012 18:07:18 +0000</pubDate>
		<guid isPermaLink="false">http://respect-mag.com/?p=50965#comment-10976</guid>

					<description><![CDATA[[...] aesthetic with the tone of the track, which seems to feature a Chinese flute (maybe a dizi?).The fusion of Black culture and Kung-fu elements that the Wu is known for emerges throughout the album, unsurprisingly most notably on the Wu tracks [...]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] aesthetic with the tone of the track, which seems to feature a Chinese flute (maybe a dizi?).The fusion of Black culture and Kung-fu elements that the Wu is known for emerges throughout the album, unsurprisingly most notably on the Wu tracks [&#8230;]</p>
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